POETRY
ZORNS LEMMA AND ROBERT GROSSETESTE’S MEDIEVAL THEORY OF LIGHT at Tagvverk
WINTER CINEMAS at Black Sun Lit
SILVER PROCESS at Periodicities Journal
SILVER SCREENS at Forever Magazine
HONEY IN TEA at Schlag Magazine
2 CALIFORNIA POEMS in Gulf Coast
2 POEMS at Granta
LOVE MOUNTAIN in The Brooklyn Rail
IN THE COMPARTMENT at The Poetry Society of America
EXCERPT FROM WAVE ARCHIVE in Sound / Gravel Projects
SKYPE HEALER at The Poetry Foundation
EXCERPT FROM G in La Vague Journal
WRITING ON FILM
GASPAR NOÉ’S PERISHABLE CAMERA: ON GEORGES BATAILLE, SIMONE WEIL, AND IRREVERSIBLE AT ASPHALTE MAGAZINE
FIRE MACHINES: TITANE AND THE PYROTECHNICS OF LOVE at Senses of Cinema
THE MATHEMATICAL CATASTROPHE OF (ANALOG<->DIGITAL) LOVE at The Quarterless Review
HAMLET’S CAMERAS: NOTES ON MYSTICAL MEDIUMS AND MEMORY in Poemeleon
TRANSGRESSING THE FRAME: ONSCREEN ART BETWEEN FORM AND FORMLESSNESS in Offscreen
CINEMA CLOWNS: NOTES ON CARNIVAL, CIRCUS, AND CRYPT at In the Mood Magazine
BLOOD, MUSCLE, AND RED PAPER: MY BLOODY VALENTINE’S RECORDING HEARTS at Ghouls Magazine
TELEPATHIC READINGS AND INFINITE MINUTES in Flaunt Magazine
COSMOLOGIES OF GHOSTING in Many Loops Journal
THE DAZZLING at The Quarterless Review
COMPUTER BLUES AND MARS REDS at 3:am Magazine
LANDSCAPES AND VIDEOTAPES at Burnaway
WRITING ON TEXT AND VISUAL ART
SHELL: A GLIMMERING TEMPORALITY in Flaunt Magazine
IMAGINING A MORE HABITABLE PRESENT: Review of Grafton Tanner’s The Hours Have Lost Their Clock at The Los Angeles Review of Books
UNDIGESTED FRAGMENTS: EROTIC GOO AND ABSENT MESSAGES at The Quarterless Review
POETIC ASSEMBLAGES UNDER CONSUMER CAPITALISM: On Kate Durbin’s Hoarders in Tiding House/TQR
ON MAYSHA MOHAMEDI’S PAINTINGS at Artforum
ON HILARY PECIS’S PAINTINGS at Artforum
TO BE ENGULFED: ON SARAH GERARD’S TRUE LOVE at The Los Angeles Review of Books
LOOKING BACK: THE 2010s in LITERATURE in Bomb Magazine
FEELING REAL IN THE AGE OF UN-REALNESS at The Los Angeles Review of Books
ENTERING THE MISCHIEVOUS PORTALS OF MONUMENTAL PAINTINGS at Hyperallergic
BEFORE I BEGAN: ON THE WISDOM OF NOT KNOWING in The Los Angeles Review of Books
DARK GOLD in SF MOMA’s Open Space
ON AUDRA WOLOWIEC’S SOUND WORK in Bomb Magazine
PRACTICING FALLING: BAS JAN ADER AT METRO PICTURES at Artcritical
SARA GREENBERGER RAFFERTY’S DRESSES AND BOOKS at Artcritical
SMOKE, CLOUDS, BREATH: TACITA DEAN at Artcritical
POINT AT SOMETHING: VERY LONG FINGERS AT SIMONE SUBAL at Artcritical
ON SOPHIE CALLE at Artcritical
DARKLY IRIDESCENT: VIVIENNE GRIFFIN AT BUREAU at Artcritical
INTERVIEWS, PRESS, RECORDINGS
America by Jean Baudrillard [Empyrean Path Podcast]
The Gnosis of Georges Bataille [Talk Gnosis Podcast]
Destiny is an escape: On Byung-Chul Han [Contain Podcast]
The V*be Liquifies Quickly [Contain Podcast]
Mysticism, Limit Experiences, and Georges Bataille [Consensus Unreality Podcast]
On Mysticism and Mystics [Talk Gnosis Podcast]
Kirsten Ihns Reviews G and Wave Archive in The Chicago Review
In Conversation with Mary Wild on Dario Argento, Horror, and Philosophy
REVIEW OF WAVE ARCHIVE in Full Stop
ON LONG POEMS: Wave Archive in The Yale Review
ENTERING THE GLITCH: INTERVIEWED BY SARAH HICKS ABOUT WAVE ARCHIVE in The Brooklyn Rail
THE MYSTERY OF SUBJECTIVE EXPERIENCE: EMMALEA RUSSO’S G in Medium
GARDEN AS WHITEBOARD: A REVIEW OF EMMALEA RUSSO’S G at Tupelo Quarterly
THE ENERGY BETWEEN WORDS: INTERVIEWED BY ARIEL YELEN ABOUT G in Bomb Magazine
LYRIC HUNTER REVIEWS G for Brazos Bookstore
WAVE ARCHIVE REVIEWED BY ROB MCLENNAN
SPACES ON THE EDGE: INTERVIEWED BY ELIZABETH SCHMUHL at Michigan Quarterly Review